South Indian Music (Carnatic Music) has a more elaborate system, consisting of 72 mother tunes called mELakartas.
Melakarta No. 15 Maya MALava Gaula (Hindusthani thAT bhairav a dawn time raga) can be played in South India during any part of the day.
I furnish below the Western Notation equivalents for the ascendents and the descendents of the tune: c,c#,f,g,b,c'. Desc: c',b,g,f,c#,c.
Rhythm used here has a 4/8/16 structure.
Tin tAl. ఆది తాళం. तीन ताल.
Above video has been produced by using Hindusthani Sangeet gat producing tecniques, and Western Notation for converting into a computer generated music file.
ऊपर वीडियो , हिंदूस्थानी संगीत पध्धती मे, पाश्चात्य संगीत स्वर लिपि उपयोग द्वारा, कंप्यूटर संगीत फैल जनरेट किया है।
नॊटोशन निम्नलिखित. Notation is given below.
X: 1
T: This composition rAg gaula has been composed in Hindusthani Music style. madhya gat (middle tempo). This is a tune of South Indian Music. Born from 15th Mother tune (mELakarta) mAyAmAlava gauLa in South India. Can even be 28th Mother tune, but experts do not accept. హిందూస్థానీ ఉత్తర భారతీయ సంగీతంలో గౌళ లేదు. దక్షిణ భారత్ లో గౌళ ఉంది. ఇది 15వ మేళ కర్త మాయామాళవ గౌళ జన్యం. यह मध्य गत गौळ राग में है। उत्तर भारतीय संगीत में गौळ राग नही है. दक्षिण भारतीय संगीत में हैँ। गौळ राग को वॆंकटमखी के ७२ मॆलकर्ता पध्धती मॆं १५ मेल कर्ता माया माळव गौळ जन्य, मान सकते हैँ।
B: ybrao
N: "early morning sung/played"
N: "sarine and peaceful mood"
Z: 2014 http://museyb.blogspot.com
M: 32/32
L: 1/32
Q: 1/32=400
K: C
%madhya gat. Medium tempo.-------------------------------------
%mUrchna. మూర్ఛన. मूर्छना आरोहि अवरोहि ఆరోహణ అవరోహణ Ascendent and Descendent.
V: 2
%%MIDI program 1 37
f.f.g.g f2.f^c2.^c f.f ^c2.^c B2.B c2 ^c4 f4 g4 | B4 G2.G2 B4 c4 ^c4 ^c2.B2 c4 ^c2f2 |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
f.f.g.g f2.f^c2.^c f.f ^c2.^c B2.B c2 ^c4 f4 g4 | B4 G2.G2 B4 c4 ^c4 ^c2.B2 c4 ^c2f2 |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
V: 3
%%MIDI program 2 46
f.f.g.g f2.f^c2.^c f.f ^c2.^c B2.B c2 ^c4 f4 g4 | B4 G2.G2 B4 c4 ^c4 ^c2.B2 c4 ^c2f2 |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
f.f.g.g f2.f^c2.^c f.f ^c2.^c B2.B c2 ^c4 f4 g4 | B4 G2.G2 B4 c4 ^c4 ^c2.B2 c4 ^c2f2 |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
%tan 1
V: 2
f2.g'g'.f2.^c2 c2.^c.^c.f2.^c2 ffff gggg ffff gf^cc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
V: 3
f2.g'g'.f2.^c2 c2.^c.^c.f2.^c2 ffff gggg ffff gf^cc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
%tan2
V:2
FFFF GGGG BBBB cccc ^c^c^c^c ^c^c^c^c ffff gggg |
FG.FF GB.GG BC.BB c.ccc ^cf^c^c ^c^c^c^c ffff gggg |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
V:3
FFFF GGGG BBBB cccc ^c^c^c^c ^c^c^c^c ffff gggg |
FG.FF GB.GG BC.BB c.ccc ^cf^c^c ^c^c^c^c ffff gggg |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
V:2
c'2c'bb2c'2 bbgf bgf^c bbbg fff^c c2cc ^c2f2 |
g2bc' b2c'^c' f'f'f'f' g'g'g'g' f'2.^c'2 b3g f3^c GBcc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
V:3
c'2c'bb2c'2 bbgf bgf^c bbbg fff^c c2cc ^c2f2 |
g2bc' b2c'^c' f'f'f'f' g'g'g'g' f'2.^c'2 b3g f3^c GBcc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
V:2
G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8 G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8
G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8 G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8
c^cfgbc' c'/c'/c'/c'/ c^cfgbc'c'/c'/c'/c'/ c^cfg c^cfg c^cfg |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
V:3
G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8 G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8
G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8 G/8 B/8 c/8 ^c/8 f/8 g/8 b/8 c'/8
c^cfgbc' c'/c'/c'/c'/ c^cfgbc'c'/c'/c'/c'/ c^cfg c^cfg c^cfg |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
V:2
F.c'c'c' F.c'c'c' G.c'c'c' B.c'c'c' G.c'c'c' c.c'c'c' ^c.c'c'c' f.c'c'c'|
gb.gc' g.c'c'c' gc'.g^c b.c'c'c' bg.bg b2.g2 bgf^c gf^cc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' |
V:3
F.c'c'c'F.c'c'c' G.c'c'c' B.c'c'c' G.c'c'c' c.c'c'c' ^c.c'c'c' f.c'c'c'|
gb.gc' g.c'c'c' gc'.g^c b.c'c'c' bg.bg b2.g2 bgf^c gf^cc |
g4 b2.b2 c'2.c2 b2.b2 g3.g f3.f ^c.c c^cfg bc' ||
V:2
%%MIDI program 2 115
c^c fg bc' bc' c'bgf ^cc^cf gbc'^c' c'bgf ^ccBc cBGB/c/ |
V:3
c^c fg bc' bc' c'bgf ^cc^cf gbc'^c' c'bgf ^ccBc cBGB/c/ ||
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