free listening/download link: http://azrowear.net/download/358/ramapyb.mp3.html
Information for Euro American Music
Notes sequence: c,^c,e,^f, g,a,^a,c'. c',^a,a,g, ^f,e,^c,c.
Comparison with CMajor: d becomes softer as ^c. f becomes stronger as ^f. b becomes softer as ^a.
rhythm: 3/6/12 notes structure. Each bar in the following notation has 12 time lengths and tested by the abc2midi to generate a midi without errors.
Information for North Indian HindusthAni Music
I am unable to trace the rAmapriya rAg/ThATh in Hindusthani Music.
We can use the same name rAmapriya in HindusthAni also. I also hope that HindusthAni experts will one day recognise it as an independent ThATh.
Notes used in rAmapriya: sa, kOmal soft re, strong suddh ga, strong tIvr ma, pa, strong suddh dha, soft kOmal ni.
tAL used in this composition: Ek tAl or chau tAL. This is the only tAl I find in Hindusthani Music which uses 12 beats. Readers may please correct me.
Information for South Indian Music - CarnATic Music
rAmapriya is an independent mother tune with mELakarta No. 52.
Notes for rAmapriya: sa, soft suddh ri, strong antara ga, strong prati ma, pa, strong catusriti da, soft kaisiki ni.
tALam: rUpaka tALam with structures like 4+2, 2+4, 8+4, 4+8, 6, 12. Every bar in the following notation has 12 note lengths. You can count. abc2midi's advantage is, it will check the tALam and reduce your worries about tALam.
Question: What is the difference between 'rAmapriya' and 'cakravAkam'?
Ans: rAmapriya uses 'f' or suddh madhyamam. cakravAkam uses ^f or pratimadhyamam.
Question: What is the difference between 'rAmapriya' and 'vAcaspati' ?
Ans: rAmapriya uses ^c i.e. soft ri. vAcaspati uses 'd' i.e. strong ri.
Question: What is the difference between 'rAmapriya' and 'Hymavati' ?
Ans: rAmapriya uses 'e' i.e. strong ga. Hymavati uses ^d i.e. soft ga.
Question: What is the difference between 'rAmapriya' and 'nAma nArAyaNi'?
ans: rAmapriya uses 'a' i.e. strong dha. nAma nArAyaNi uses ^g i.e. soft dha.
Question: What is the difference between 'rAmapriya' and 'gamanasrama'?
Ans; rAmapriya uses '^a' i.e. soft ni. gamanaSrama uses 'b' i.e. strong ni.
For composing and converting into midi: The following notation is to be copied and pasted into a text editor and saved as a txt filename. Then, a commandline instruction abc2midi filename will give the filename1.mid.
X:1
T:rAmapriya rUpakam kOrina varamosage paTnam subrahmanya Ayyar
M:48/32
L:1/8
Q:160
K:C
%notes sequence of tune rAmapriya
%observe: every rhythmic bar has 12 note lengths
[V:1]%%MIDI program 105 %church organ
c3^c3 e3^f3 | g3a3 ^a3c'3 | c'12 | c'12 |
c'3^a3 a3g3 | ^f3e3 ^c3c3 | c12 | c12 |
[V:2]%%MIDI program 13 %xylo
c3^c3 e3^f3 | g3a3 ^a3c'3 | c'12 | c'12 |
c'3^a3 a3g3 | ^f3e3 ^c3c3 | c12 | c12 ||
%stanza 1 or sthAyi or pallavi
[V:1]
|: g4 g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce2 ^c2e^f g2^f2 | g4 g2g^f e^ce^f :|
|: g4 g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce2 ^c2e^f g2^f2 | e^fg2 ^fg a^a/2a/2 g^fe^f :|
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12|
[V:2]
|: g4 g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce2 ^c2e^f g2^f2 | g4 g2g^f e^ce^f :|
|: g4 g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce2 ^c2e^f g2^f2 | e^fg2 ^fg a^a/2a/2 g^fe^f :|
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12||
%stanza 2 or antrA or anupallavi
[V:1]
|: ga^a2 a2g4^f2 | g2a2 ^a2c'6 | ga^a2 a2g4^f2 | g2a2 ^a2c'6 :|
|c'12 | c'12 | c'^aag ^fe^cc c4 | c12 |
ga^a2 a2g4^f2 | ga^aa ^cc'^aa ^a4 | ga^a2 a2g4^f2 | ga^aa ^cc'^aa ^a4 |
e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f | e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f |
ga^a2 a2^fg a2^aa | g2ga g/2a/2^a a/2^a/2c' ^a/2c'/2^c'/2c'/2 ^a/2a/2^a | e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f |
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12|
[V:2]
|: ga^a2 a2g4^f2 | g2a2 ^a2c'6 | ga^a2 a2g4^f2 | g2a2 ^a2c'6 :|
|c'12 | c'12 | c'^aag ^fe^cc c4 | c12 |
ga^a2 a2g4^f2 | ga^aa ^cc'^aa ^a4 | ga^a2 a2g4^f2 | ga^aa ^cc'^aa ^a4 |
e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f | e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f |
ga^a2 a2^fg a2^aa | g2ga g/2a/2^a a/2^a/2c' ^a/2c'/2^c'/2c'/2 ^a/2a/2^a | e'4 ^c'e'^c'c' ^aa^a2 | ^c'c'^aa c'^aag ^aag^f |
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12||
%stanza 3 or caraNam
[V:1]
|: e2^f2 g4 g2g2 | ^fga2 a2ga ^aa^a2 | a^ac'2 c'2^ac' ^aag2 | g^fe2 ^c2c4c2 :|
|: c'^ac'^c c'2^a4^a2 | a4 ^a2^ag a2g2 | c'^ac'^c' c'2^a2 c'4 | e2^c2 e^fg2 g2g2 :|
|: z2ga2^aa2 g4 | g2a2 ^a2c'4c'2 | c'^ac'^c' c'2^ac' ^aa^a2 | c'^c'e'2 ^c'2e'4e'2 :|
|: g'2^f'2 e'^fe'2 ^c'2c'2 | c'^aa^a ga^ac' ^aag^f | ga^ac' ^cc'^aa ^a4 | a2^a2 c'^c'/2c'/2 c'2 ^aag^f :|
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12 |
[V:2]
|: e2^f2 g4 g2g2 | ^fga2 a2ga ^aa^a2 | a^ac'2 c'2^ac' ^aag2 | g^fe2 ^c2c4c2 :|
|: c'^ac'^c c'2^a4^a2 | a4 ^a2^ag a2g2 | c'^ac'^c' c'2^a2 c'4 | e2^c2 e^fg2 g2g2 :|
|: z2ga2^aa2 g4 | g2a2 ^a2c'4c'2 | c'^ac'^c' c'2^ac' ^aa^a2 | c'^c'e'2 ^c'2e'4e'2 :|
|: g'2^f'2 e'^fe'2 ^c'2c'2 | c'^aa^a ga^ac' ^aag^f | ga^ac' ^cc'^aa ^a4 | a2^a2 c'^c'/2c'/2 c'2 ^aag^f :|
|:ga^aa g^fe^f e2^c2 | c2c2 c2cc ^aa^a2 | c^ce^f ga^aa ^c'e'^c'c' | ^aaga ^ac'^a/2c'/2^c'/2c'/2 ^aag^f :|
^f12| e12| ^c12| c12 ||
%closing
[V:1]
g'^f'e'^c' ^aag^f e^cc^A | c12 | g'^f'e'^c' ^aag^f e^cc^A | c12 |
[V:2]
g'^f'e'^c' ^aag^f e^cc^A | c12 | g'^f'e'^c' ^aag^f e^cc^A | c12 ||
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