#103 tune latAngi - rhythm 5 beat - work: mari vEre dikkevvaru - comp:- paTnam subrahmaNya Ayyar

"(SOUTH INDIAN - CARNATIC) LATANGI" 5 / 10 beat composition: "MARI VERE DIKKEVVARU" approx. 5 minutes and 5 mb. in size.
free online listening/download for offline listening, click:
http://azrowear.net/download/431/latamariyb.mp3.html

Poet and composer

Name of this composition: "MARI VERE DIKKEVVARU".
Poet and Composer: PATNAM SUBRAHMANYA AYYAR, a doyen of the CarnATic Music.

Information for Euro American Music

tune "(SOUTH INDIAN - CARNATIC) LATANGI"'s note COMPARISON WITH C-MAJOR :
Sequence: cde^f g^gbc'. c'b^gg ^fedc.
Observe the changes: soft 'f' has become strong '^f'. strong 'a' has become soft '^g'.
Whether all the notes are used: yes. septatonic, i.e. all the seven notes are used.
Whether any special zig-zag movement is necessary to make the tune: No, except some permutations and combinations of the notes, as is common for building any tune.
rhythm : 5 or 10 notes per bar. Every bar, you will find, has 10 note lengths. 4 bars for each line.

Information for North Indian Music - HindusthAni Music

ThATh : rAg latAngi has not been recognised as a separate ThATh. Let us hope that Hindusthani experts will gradually recognised latAngi as an independent ThATh and sing/play it more in classical concerts.
tAL: khanDa cApu tAL of 5 or 10 beats per bar. HindusthAni equivalent seems to be jhap tAl.
Information for the South Indian Music

LATANGI's itself is a mother tune. No. is 63 (called mELakarta 63).
ArOhaNa: sa,strong ri, strong ga, strong ma, pa, soft da, strong ni, sa'.
avarOhaNa: sa', ni, da, pa, ma, ga, ri, sa, frequencies, as above.
avarOhaNa: sa'nipama ri sa.
tALam: khanDa cApu tAL of 5 or 10 beats per bar.

If you wish to compose and compile independently, copy and paste the following notation into a note pad or gedit or any other text editor, save it as a txt file. Thereafter, give the command abc2midi filename. We get filename1.mid.
Further conversion to wav: command: timidity -Ow filename1.mid . We get filename1.wav.
Conversion of wav into mp3: command: lame filename1.wav choicename.mp3 .
We get choicename.mp3 file.

X:1
T:"(SOUTH INDIAN - CARNATIC) LATANGI" 5 beat -"MARI VERE DIKKEVVARU" - paTnam subrahmaNya Ayyar.
M:5/4
L:1/8
Q:150
K:C
%note sequence of "(SOUTH INDIAN - CARNATIC) LATANGI"
[V:1]%%MIDI C 60 %%MIDI program 110 %fiddle
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 |
[V:2]%%MIDI C 54 %%MIDI program 112 %woodlock
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 ||
%stanza 1
[V:1]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 2 called antra or anupallavi
[V:1]%%MIDI program 104
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 3 called caraNam
[V:1]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%

file 2 -with double tempo- shamisen and steel drums
X:2
T:"(SOUTH INDIAN - CARNATIC) LATANGI" 5 beat -"MARI VERE DIKKEVVARU" - paTnam subrahmaNya Ayyar.
M:5/4
L:1/8
Q:300
K:C
%note sequence of "(SOUTH INDIAN - CARNATIC) LATANGI"
[V:1]%%MIDI C 60 %%MIDI program 106 %shamisen
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 |
[V:2]%%MIDI C 54 %%MIDI program 114 %steel drums
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 ||
%stanza 1
[V:1]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 2 called antra or anupallavi
[V:1]%%MIDI program 104
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 3 called caraNam
[V:1]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%

3rd file with double tempo, flute and timpani
X:3
T:"(SOUTH INDIAN - CARNATIC) LATANGI" 5 beat -"MARI VERE DIKKEVVARU" - paTnam subrahmaNya Ayyar.
M:5/4
L:1/8
Q:300
K:C
%note sequence of "(SOUTH INDIAN - CARNATIC) LATANGI"
[V:1]%%MIDI C 60 %%MIDI program 75 %flute
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 |
[V:2]%%MIDI C 54 %%MIDI program 47 %timpani
c2d2 e2 ^f2g2 | ^g2b2 c'4 z2 | c'2b2 ^g2 g2^f2 | e2d2 c6 ||
%stanza 1
[V:1]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 g2 g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | e2^f2 g2 ^g2b2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | g^fed e^f g^gb2 |
c'd'e'd' c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f/2g/2g g4 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 2 called antra or anupallavi
[V:1]%%MIDI program 104
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||
%stanza 3 called caraNam
[V:1]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 |
[V:2]
e2^f2 g4^g2 | g2^g2 d'c' b^gg2 | g^fe2 e^g g^fe2 | edg^f ed c2c2 |
%rpt of stanza 2 and last lines of refrain
c'b^g2 c'4c'2 | c'b^g2 bc' d'2c'2 | c'10 | c'b^gg ^fe ^fg^gb |
c'b^g2 c'4c'2 | c'b^g2 bc' d'2d'2 | e'2^f'2 e'2 d'2c'2 | c'd'e'd' c'b ^gg^gb |
c'2c'b d'c' b^gc'b | ^ggg2 g^f e2^f2 | e^fg^g bc' d'e'2d' | c'd'e'd' c'b ^gg^gb |
c'2c'2 c'b ^g2g2 | g4 g^f e2^f2 | g4 ^f2 e4 | d4 c6 ||