Friday, January 13, 2012

kAmbhOji varNam -Western Script Notation

Musical name of the work: kAmbhoji varNam.
Literary name of the work: taruNi ninnu bAsi
Genre: South Indian Music. South Indian Classical Music. South Indian Instrumental Music. Carnatic Music.
Author and composer: South Indian 19th Century Elders.
mild editing and digitalisation: ybrao a donkey
tune used: called 'kAmbhOji'.
rhythm used: 4/8/16 4 beat. called 'Adi tALam' in Carnatic Music. called 'tIn tAL' in Hindsuthani Music (North Indian Music).


ascendence-descendence
c,d,e,f, g,a,c'.
c',a#,a,g, f,e,d,c.

refrain .

ind: pA_dA_cArini_ da_pa_da_pa_ riga mama
>>g_,,, a_,,, c,,, d,a#_, a_,g_, a_,g_, d,e, f,f,

ind: gaga rI risamaga rigasari ni_da_pa_
e,e, d,,, d,c, f,e, d,e,c,d, a#_,,, a_,g_,

ind: da_saripa magasari gamapada magapada
a_,c,d,g, f,e,c,d, e,f,g,a, f,e,g,a,

ind: ri's'Ani dapadapa amagari risAni
d',c',,,a#, a,g,a,g, ,,f,e,d, d,c,,,a#_

stanza 2

ind: ninidada pamapani dapAda mAgama
a#,a#,a,a, g,f,g,a#, ag,,,a, f,,,e,f,

ind: padanipa nidamaga papadada sA'ri'ga'
g,a,a#,g, a#,a,f,e, g,g,a,a, c',,,d',e',

ma'ma'ga'sa' ri'ga'dasa' ri'padasa' magapada
f',f',e',c', d',e',a,c', d',g,a,c', f,e,g,a,

sa'ri'ga'sA'nidapa nidapama garisani_
c',d',e',c',,,a#,a,g, a#,a,g,f, e,d,c,a#_

staccato notes without literature called muktayi.

ind: ni_pa_da_sAsapa_da_ sarIri da_rIri
a#_,g_,a_,c,,,c,g_,a_, c,d,,,d, a_d,,,d,

ind: da_pa_da_rIsada_ga gagariga sarini_da_
a_,g_,a_,d,,,c,a_,e, e,e,d,e, c,d,a#_,a_

ind: sarigasAsarima gasAri pamagasa
c,d,e,c,,,c,d,f, e,c,,,d, g,f,e,c,

ind: rimagamApasari samagama pA A
d,f,e,f,,,g,c,d, c,f,e,f, g,,, ,,,,

ind: magarisAsanini dapAda mapagA
f,e,d,c,,,c,a#,a#, a,g,,,a, f,g,e,,,

ind: mapadani nidapani dapadama gapadasa'
f,g,a,a#, a#,a,g,a#, a,g,a,f, e,g,a,c',

ind: ri'ga'ma'rI'ga'sa'ri' ga'sA'ri' nidapada
d',e',f',d',,,e',c',d', e',c',,,d', a#,a,g,a,

ind: ri'sA'sa' pApasa' dapamaga risAni_
d',c',,,c', g,,,g,c', a,g,f,e, d,c,,,b_,.

all the above in fast tempo
g_, a_, c, da#_ a_g_ a_g_ de ff
ee d, dc fe decd a#_, a_g_
a_cdg fecd efga fega
d'c',a# agag ,fed dc,a#_

a#a#aa gfga# ag,a f,ef
gaa#g a#afe ggaa c',d'e'
f'f'e'c' d'e'ac' d'gac' fega
c'd'e'c',a#ag a#agf edca#_

a#_g_a_c,cg_a_ cd,d a_d,d
a_g_a_d,ca_e eede cda#_a_
cdec,cdf ec,d gfec
dfef,gcd cfef g, ,,
fedc,ca#a# ag,a fge,
fgaa# a#aga# agaf egac'
d'e'f'd',e'c'd' e'c',d' a#aga
d'c',c' g,gc' agfe dc,b_.

first line as a closure of the first part
g_,,, a_,,, c,,, d,a#_, a_,g_, a_,g_, d,e, f,f,
c,,, c,,, ...

chorus. literature: sarasakurA Engl: Come nearer.

ind: sA'sA' ninidA mapadada ninidapa

>> c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

rpt chor
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

1 staccato notes without literature called cittasvara
c',,a#,,a,,g,,f,e,
d,,c,,d, ,e,f,g,a

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

2 staccato called cittasvara
c'a#ag,a#ag feda gfed
dca#_g_,a_cd ecde fg,a

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

3 staccato called cittasvara
a#agf,,ga gf,g fefg
fagf,ga#a fgc'a# ac'd'e'

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

fourth staccato called cittasvara
a,a,a,a#g aa#a#a fg,a g,g,g,fg af,g fefg
agfa# agc'a# afeg ac'd'e' c',a#a g,fe dc,d efga

rpt chor
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

last staccato called cittasvara. This has eight lines.
c', c', c', c'a# agfe dcde
g, g, g, c'a# agaf eg,a
defg,fef ga,g fgab
a#gaa# a#afg a#aga g,,a

gfef,gfg aa,g c'a#a#a
gace gacd efga c',a#a
c'd',c' a#ad'c' a#a e'd',c' a#a
g_a_cd e,eg a_cdd efga




>> c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

rpt chor
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

1 staccato notes without literature called cittasvara
c',,a#,,a,,g,,f,e,
d,,c,,d, ,e,f,g,a

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

2 staccato called cittasvara
c'a#ag,a#ag feda gfed
dca#_g_,a_cd ecde fg,a

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

3 staccato called cittasvara
a#agf,,ga gf,g fefg
fagf,ga#a fgc'a# ac'd'e'

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

fourth staccato called cittasvara
a,a,a,a#g aa#a#a fg,a g,g,g,fg af,g fefg
agfa# agc'a# afeg ac'd'e' c',a#a g,fe dc,d efga

rpt chor
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

last staccato called cittasvara. This has eight lines.
c', c', c', c'a# agfe dcde
g, g, g, c'a# agaf eg,a
defg,fef ga,g fgab
a#gaa# a#afg a#aga g,,a

gfef,gfg aa,g c'a#a#a
gace gacd efga c',a#a
c'd',c' a#ad'c' a#a e'd',c' a#a
g_a_cd e,eg a_cdd efga

rpt chorus
c',,, c',,, a#,a#,a,,, f,a,a,a, a#,a#,a,g,
f,g,a#,a, g,a,f,,, g,e,,,f,,,g,,,a,

rpt first line of refrain to complete.
g_,,, ,,,, a_,,, ,,,, c,,, ,,,,
c,,, c,,, c,,, ,,,, ,,,, ,,,,.

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multisubj or yb or ybr or ybrao a donkey. occupation: Retired Bank Officer and LAWYER. Kindly see autobiographicalyb.blogspot.com, if you will like to know more about me as a person. Main goal: Marxism through non-violent means. Sub-goal: minimising the effects of the opium i.e. the religion on human minds.