Shared at soundcloud.com
Musical Name of the work: AbhOgi varNam.
Literary name : Evari bOdhana vinnAvo.
Genre: Indian Classical Instrumental Music. South Indian Music.
Carnatic Music.
Author and composer: Patnam Subrahmanya Ayyar.
Western script notation with slight modifications and digitalisation: ybrao a donkey.
tune (called rAga) : AbhOgi.
Nature of tune: pentatonic. The tune is suitable for expressing pathos, though there is no bar in using it for love (sringara).
Rhythm: 4 beat. 1-2-3-4. called Adi tALa.
Ascendence:
c,,, d,,, d#,,, f,,, a,,, c',,,
Descendence:
c',,, a,,, f,,, d#,,, d,,, c,,,.
Tones not used: g, b.
Here is some delineation of the tune, without percussion called 'AlAp'. This has been added by ybrao a donkey.
a_,,,~>100~a_,,, . . . .
a_,,,~>100~c,,, . . . .
c,,, ~>100~d,,,.
a_,,, ~>100~c,,,.
c,,, ~>100~d,,,.
cd,, ~>-100~a_,,,.
d,,, ~>-100~a_,,,.
c,,, ~>100~d,,,.
c,,, ~>100~d,,,.
f,,, ~>100~a,,,.f~>-100~a,,,
a,,, ,,,, c',,, a,,,.
c',,, c',,, c',,, c',,,.
c',,, ~>100~a,,, a,,,
f,,, d#,,, d#,,, c,,,.
c,d,d#,f,a,c',c
c'~>100~f_~>10~a_~>10~c~>10~d, a~>50~a_,,,f,,,d#,,,d,,,c,,,.
/c/ /c/ /c/ /c/ /d/ /d/ /d/ /d/ /d#/ /d#/ /d#/ /d#/ /f/ /f/ /f/ /f/
c6/c/ /c/ /c/ /c/ /d/ /d/ /d/ /d/ /d#/ /d#/ /d#/ /d#/ /f/ /f/ /f/ /f/
c7/c/ /c/ /c/ /c/ /d/ /d/ /d/ /d/ /d#/ /d#/ /d#/ /d#/ /f/ /f/ /f/ /f/.
There are some discrepancies in this AlAp. I shall try to rectify them in the next edit/revision.
Refrain (called pallavi).
d,,,d#,,, d#,d,c,,, c,d,c,c, a_,f,a_,,,
f_,a_,c,a_, ,,c,a_,c, d,d#,,,f, d#,d#,d,c,
d,d#,f,d#, ,,f,d,d#, c,d,,,a, c,d,d#,f,
a_,f_,a_,c, ,,c,a_,c, a,f,,,d#, f,d#,d,c,
stanza 2 (called anupallavi.)
c',c',a,a, ,,f,a,a, f,d#,,,d, d#,f,d,d#,
c,d,d#,f, ,,f,a, f,d#,d,d#, f,a,a,c',,,
a,c',d',c', ,,d',d#',f', d',d#',,,f', d#',d#',d',c',
d',d#',d',c', d',a,d',c', c',a,f,a, f,d#,d,c,.
loose tones without literature.
d,d#,f,d, ,,d#,c,d, d#,c,,,d, c,a_,f_,a_,
c,a_,c,d, ,,d,d#,c, d,f,,,a, f,d#,d,c,
d,d#,f,d#, ,,f,a,f, a,c',,,d', d#',c',d',d#',
f',d#',d',d#', ,,d',c',a, d,c,,,a, f,d#,d,c,.
--123fast
(voice 'brass section')
d,d#, d#dc, cdcc a_f_a_,
f_a_ca_,ca_c dd#,f d#d#dc
dd#fd# ,fdd# cd,a_ cdd#f
afac ,cac af,d# fd#dc
c'c'aa ,faa fd#,d d#fdd# cdd#f ,faf d#dd#f aac',
ac'd'c',d'd#'f' dd#,f d#d#dc d'd#'d'c dad'c' c'afa fd#dc
dd#fd,d#cd d#c,d ca_f_a_ ca_cd,dd#c df,a fd#dc
dd#fd#,faf ac',d' d#'c'd'd#' f'd#'d'd#',d'c'a dc,a fd#dc.
/c//d#//d//f/d#//a//c'/.....................
chorus (called charaNam).
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#
loose notes without literature 1 - called cittasvara
f,,,,, a,f,a,,,c', a,f, ,,d#, d,c, ,d,d#
chorus repeat
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#
notes without literature 2
fac'a,faf d#d,d# fd#dc a_c,d d#fac ,afd# dcdd#
repeat chorus
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#
notes without literature 3
ac'af d#dd#f afd#d d#cdc dd#fa c'd'd#'d' c'afd# dcdd#
chorus repeat
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#
notes without literature 4
c',,c',c'd'd#' c'd',d' c'afa c',,c' ad'c'a ,c'af ,d#dc
dd#fa ,c'dd# fd,d# d'c'ac' d'c',a fac'a ,fd#d c,dd#
chorus repeat
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#.
f,afa,,, ac'af aac', c'c'aa ,faa fd#,d dfdd#.
coda
added by yb
c,,, d,,, d#,,, f,,, a,,, c',,,
c',,, a,,, f,,, d#,,, d,,, c,,,.
My sincerest thanks are to our Linux/Ubuntu/Python/Gnome/KDC Community for their boundless generosity in freely providing the technology. I am, too small, a FLY/FRY before their MAGNANIMITY and UNSELFISHNESS. Hats off to Ben Fisher, Chris Walshaw, James Allwright, Seymour Shlien.
About Me
- ybr (alias ybrao a donkey)
- multisubj or yb or ybr or ybrao a donkey. occupation: Retired Bank Officer and LAWYER. Kindly see autobiographicalyb.blogspot.com, if you will like to know more about me as a person. Main goal: Marxism through non-violent means. Sub-goal: minimising the effects of the opium i.e. the religion on human minds.
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